I love mice and rats

Another furry friend.

I had two rat pets once, Miranda and Ophelia. 

Ophelia was tamer. She rode on my shoulder when we visited my daughter's kindergarten class.

The teacher, the wonderful Mrs. Chappa, was not a fan.

Later I wrote up the scene in the second Ellie McDoodle book.

Another rattie

My agent posted a photo of her at a nice restaurant near her new house and I decided to draw the scene. Well, I put a rat into the painting instead of my agent.
(I know what some of you are thinking. She did *not* take offense)

Bon appetit, Erin!

Travel Travails

Three weeks ago my dear friend Kirsten Cappy came to Michigan to interview Badge Velasquez and a few other guys from Bikers For Books, a charity promoting literacy for the youth in my area.

Charlie and I saw her at the Bikers For Books Rally on Sept. 10, and then again the next day at the Kerrytown BookFest in Ann Arbor.

Thank you to Bookbound for selling my books at the Kerrytown BookFest!

Charlie and I had dinner that second day with Kirsten Cappy, Matt Faulkner, Kris Remenar, Nancy Shaw, Pamela Patterson, Denise Fleming and husband David Powers and daughter Indigo Powers,

Also at the BookFest: Kelly DiPucchio, Shanda Trent, Heidi Woodward Sheffield, Nick and Ashley Adkins, Isabel O'Hagin, and wonderful SCBWI-Michigan webmaster and brilliant Austin-to-Ann Arbor transplant Debbie Gonzales,
I'm probably forgetting a few writers and illustrators. If that sounds like a lot of name-dropping, it is because they're smart creatives and I feel lucky to know them all.

At the end of the BookFest we walked Kirsten back to her car. 

She was on time to get to the airport, but she reported that her photographer friend Fred had not telescoped the camera tripod for air travel before he left, and she couldn't get that last leg to fold down on her own. 

She went through TSA with that very suspicious-looking tripod, but first endured extra searches and pat-downs and scrutiny. 

Now late for her flight, she ran through the airport with her unfolded tripod, to the obvious shock and dismay of many of the travelers.

As she related the story to me the next day I couldn't help but laugh... and draw it up for her.

Hug a dumpling today

Sketch -----------------

To Finish ---------------------------------------------------

Monday, September 26 is National Dumpling Day. Go hug your lil' dumpling. :) 

Pensive mouse

I was thinking about how to draw something, and then I thought I'd draw a mouse thinking about how to draw something, and then I figured out how to draw that other thing, so I stopped drawing this. 

And that's why it's unfinished. 

(I do highly recommend both thinking and also drawing.) 
(also mice)

Time to post some art

I never know where to post the little art pieces I draw and paint while trying to figure out bigger paintings and stories. Usually I post them on Facebook and forget about them.
But it seems to make sense to post them here.

I drew this giraffe as a sketch in my Story Ideas notebook. Then I redrew him as a black and white dry brush sketch. Then I decided to paint him and add to his story.
Here he is.

And this is a detail of his little baby, picking up good reading habits from Papa.

This is pen and ink and watercolor plus a smidgen of colored pencil.

I think this little guy needs a name. (Or is she a girl?)

Thank you, teachers and librarians!! We love you!

Thank you, 

teachers and librarians and others who put books in kids' hands.

We appreciate you.

Taken from my sketchbook, this is me greeting Travis Jonker 

at Nerd Camp 2015. (He's not really that much taller than I am, I don't think...)

Spring Break 2014

Picture this:
a 15-passenger van
filled with
Charlie and me (the drivers),
Lisa (our daughter and person in charge of the food),
her four kids (ages 11, 5, 3, and 1),
Emmy (our high school daughter and person in charge of the menu),
and Dan (her boyfriend),
on a 21+ hour road trip from Michigan to Austin, Texas.
We stayed at my sister's house
(some of us in tents),
flew another daughter in from Seattle,
traveled around Texas,
kept a group journal about it all,
and came back home safely,
no injuries,
no fighting,
no regrets.
In fact, we want to do it again.
I'm thinking Florida (Disney!) after I sell a few books, and upper Michigan too.

While in Texas Charlie and I presented writer workshops at four schools in Round Rock, and we attended the Texas Library Association conference in San Antonio where we handed out these Texas READ posters:

It was a great working vacation -- but also intense fun.

I'm part of Sketchables!

I always thought blog collectives were pretty cool. I belong to a few of them and rarely take part.
The incongruence of those two beliefs made me hesitate when The Sketchables asked me to join their rebooted effort of blogging sketches.
My worry was that I wouldn't keep up.
I tend to get very busy with deadlines and school visits and new projects.

This spread from my sketchbook was drawn
at the NY Public Library's fantastic exhibit,
The ABC of It: Why Children's Books Matter.

But I knew it'd be good to get into the habit of posting my art online regularly. I have probably 500 full sketchbooks at my house. Some of that work is worth sharing.
So I said yes.

Here's my latest Sketchables post. It shows a page of first draft art for my next Ellie McDoodle book.

Check out the Sketchables blog. See cool, fun sketches by
Priscilla Burris,
Heather Powers,
Nina Crittenden,
Joy Steuerwald,
Steve Bjorkman,
and me.

And, if you're inspired, get sketching!

Take your journal everywhere!

I take my sketchbook/journal everywhere with me.
To school visits.
To field trips.
To family vacations.
To any place where I think I'll have to stand in line for a while.
To my kid's (and grandkids') sports events and concerts and award ceremonies.
To weddings, births, funerals, parties.
Even to church.
I used to be squeamish about that. I'd get my priest to bless each new journal, figuring that was his tacit permission to sketch during Mass.
I'm not squeamish about it anymore. One of the priests brings his journal to Mass! And the children in our church's school are encouraged to bring theirs.
Often a kid in church will recognize me (from a school visit, or because I donate art to the religious education program). I try not to be conspicuous -- I don't want parents to think I'm a bad role model.
Writing and drawing during Mass helps me to remember the important things (and some trivial stuff too).

March is Reading Month -- and Author Visit Month

Aside from whenever the tight book deadlines fall, March is my busy time. In Michigan, March is Reading Month.
That means in March lots of schools like to bring authors in to talk with their students about writing and reading.
Ohio's big month for school visits is in May, so we'll be busy then, too.

Charlie and I do a great workshop presentation.
It's interactive and educational and -- bonus! -- kids always, always, always exit our sessions excited about writing. That's because we create an illustrated story right there with them, with their help.
We also leave all the papers with the school so the students can revise the story or create something new, and they have all the tools and knowledge they'll need.

Last year we were at a new school pretty much every day in March (sometimes more than one school in a day).
This year we encouraged teachers to schedule our visits in the other months, Sept through February and also in April and May, so we'd be less busy in March. It's rewarding to connect with kids all through the year -- I'm sure it helps me understand my kid characters better.
And we love the work!
Kids respond well -- we change our presentation to fit any level, age 3 up through high school, always with fabulous results. Teachers give fantastic testimonials.
Charlie and I have the best job I could imagine.

Here's a sketchbook page from our visit to Frankenmuth, Michigan, at the end of February/beginning of March. Our hotel lost water and internet service for part of a day so Charlie and I bundled up and explored the town.

One completely unexpected, amazingly great thing happened in Frankenmuth Thursday night: I thought of a brilliant new picture book idea. It's one of those stories that comes complete with a title already thought up, and the characters almost fully developed. It'll take a while to be ready to share with the world, but I'm excited, and I'll always remember this book had its roots in my school visits.

SCBWINY14

Just returned from the big international SCBWI conference in New York (or, as I keep telling people it's supposed to be pronounced, "nyork"). 

I'm motivated and inspired and excited. I have a full sketchbook of 150 sketches of the journey -- both to, from, and in New York, and also my personal, emotional journey to new and renewed literary friendships and improved work.

Three great things I heard at the VIP party -- all from editors:

- You can DRAW! I love your card! 

- I know Ellie McDoodle -- YOU do that series??

- I am THRILLED to meet you!

That last one is my awesome editorial team at Bloomsbury! I have a new editor and she introduced me to some of the great people there. Really, seriously, fantastically great people -- it was a thrill for me to meet them, too.

(I wrote these things down verbatim in my sketchbook because I want to remember them forever.)

I'm sharing two spreads of sketchbook pages here.

This page is one of the most exciting moments of the conference, on the left. It started small and turned into a life-changing opportunity. More on this in a future blog.

And on the right it's one of my favorite little bits of the national conference, where Lin Oliver talks about the funny contest entries and Tomie dePaola talks about the Tomie contest entries (YAY for Michigan writer-illustrator Nina Goebel who placed and who also came to this conference) and the air is buzzing because of all the great stuff that's already been shared in the previous days, and Sunday's our last big day at the conference.

This is a little part of the return trip to Michigan

I pushed myself at the conference. 

I acted like an extrovert even when I didn't quite feel like one.

I walked miles around the city every day even though I'm still nursing a Hapkido knee injury from a year ago.

I worked -- volunteered -- as SCBWI-Michigan's Illustrator Coordinator, even taking on extra jobs at the conference, and pushing myself to become more familiar with the people who (expertly, beautifully, sacrificingly, exhaustingly, fantastically) run the show.

I made up a great postcard before coming and handed it out everywhere, with this image on the front and an Ellie McDoodle image on the back (and of course all my contact info) --

After 9 years of concentrating on 

highly-illustrated middle grade novels,

I'm getting into picture books now.

I introduced myself to everyone around me again and again and again (not the same people three times!).

All that pushing paid off.

I'm so thrilled to have gone to NYC and this conference and I got SO MUCH out of it that I have vowed I am ***definitely*** going to the next international SCBWI conference in Los Angeles, this summer.

First order of business: Sell a book. I have 5 great picture book ideas percolating. Some of them my agent loves. I have a plan. :)

It'll be tricky working on books while I'm doing school visits -- we're at a new school 4 times per week and sometimes on the weekends. But I am motivated!!

The Ellie McDoodle Diaries: Ellie for President

This book comes out in September, 2014.

Here's the first page in the first draft:

Here's the first page a few drafts later:

Astute readers will notice Ellie's relatives from book 1 are in the crowd scene on page 1 in book 6.

I figured it was time to bring them back for a visit. 

Ellie McDoodle, Book 6: Four *more* first draft pages

Here are four more first draft pages from my Ellie sketchbook for book 6.
There are 170 pages in one Ellie McDoodle book.

^^ Pages 12 and 13 comprise one two-page spread.

^^ Pages 14 and 15 comprise one two-page spread.

Only 155 more pages to go!

It'll be worth it. :)

Ellie McDoodle, Book 6: Four more first draft pages

More pages from my Ellie McDoodle book 6 sketchbook.
I like constraining my sketches to a journal/book format in the planning stages. It adds a layer of challenge.

 ^^ Pages 8 and 9 face each other on one 2-page, open-book spread.

^^ Pages 10 and 11 face each other on one spread.

Ellie McDoodle: Book 6, more first draft pages

Four pages from book 6's first draft sketchbook:

Pages 4 and 5 are one spread.

Pages 6 and 7 are the next spread.

Ellie's grandpa (who, um, doesn't quite have a name yet) is a big supporter of her art. 

My Grandpa George was a big proponent of my work. I'd send him my hand-scrawled cartoons and he'd put them on his fridge and make his visitors read them. I know this because they'd tell me at family parties. I know they didn't mind. 

It felt great (still does!) to know he loved my work, especially since I don't always feel confident about it myself.

Gangoblogging: Chris Barton

You long to experience the world on your own terms. You are smart and brave, but you're a cheat. You have a chance to trade who you are for something better -- for a new life. New thrills. New fear. Do you do it?

If yes, you might be the subject of Chris Barton's new YA nonfiction, Can I See Your I.D.?: True Stories of False Identities.

It's a fascinating read, even if your story isn't in it.

Barton follows ten imposters from history, many of them teens, and he digs into their past and what got them to that point of taking on a false identity, and he doesn't disappoint -- he also tells how they were ultimately found out.

Read this book. You'll be hooked from the first story, where 16-year-old Keron Thomas steals a subway train.
Publishers Weekly agrees:
*Starred Review* [I]mpeccably crafted ... The use of second-person narration is very effective, allowing readers to assume the identities of each individual. Barton's prose captures the daring, ingenuity, and quick thinking required of each imposter.


(Below: sketches from my Gang of Erin retreat sketchbook)

Chris reads from his work in progress in April, 2011.
You're in for a treat: this new book is AWESOME.
And that's about all I can say about it, for now.

I first came to know author Chris Barton many years ago, before either of us had sold any books. 

Hanging out at Texas Library Association conference

Like everyone else, I was charmed by his online persona. 

Random discussion at the retreat

When he signed with his agent, Erin Murphy of Erin Murphy Literary Agency (EMLA), our fate was sealed: we're agency-mates.

rubber-face profile

Intrigue and suspense built. . . I had to meet this guy in person.

Chris tests my patience with a Draw-Off

My chance came three years ago at an EMLA retreat near Boston. I watched him like a hawk -- and I took notes.

Late at night, all inhibitions gone,
Chris dances at the party in the EMLA room

I met him again last month in Austin, at the Texas Library Association conference and EMLA's fifth annual retreat. Again, I took notes:

Chris and Clint Young, EMLA clients

 And then, upon finding out that Can I See Your I.D.? was now out, I begged him to grant a quick interview on my blog:



Me: What were some of the surprises that popped up when you were researching this book?


Chris: One of the biggest surprises was how much in common my individual subjects had with each other, even though they were carrying out their masquerades under vastly different circumstances, for vastly different reasons, even on different continents and in different centuries. I figured I might find a few recurring themes, but the ingredients that go into successfully maintaining a false identity (at least for a while) are unexpectedly universal. Take Ellen Craft and Keron Thomas, for instance. Their stories take place nearly 150 years apart, and she was trying to escape from slavery while he just wanted to prove that he could drive a subway train. But each of them took advantage of the fact that we generally see in other people what's on the surface, and what we expect to see. We don't look at an apparently white Southern gentleman and see a female slave, and we don't look at a guy in a motorman's uniform shirt and see a 16-year-old kid.


There were surprises in my research into the individual stories, too. I discovered that Ferdinand Waldo Demara Jr.'s sister had not died as a teenager, as had been previously reported (and which I wrote about in The Horn Book) -- that had a big effect on my understanding of what motivated him to become a serial impostor. And Forrest Carter, author of the supposed memoir The Education of Little Tree, was exposed as a fraud in The New York Times in 1991 -- but it turns out, the same newspaper had already identified him as racist speechwriter Asa Earl Carter in the mid-1970s, but nobody paid much attention at the time because he didn't yet have a bestseller, and by the 1990s the Times itself seemed to have forgotten.


Me: I'm in the middle of final revisions for my fourth Ellie McDoodle book, at the moment. For me, the process of writing each book has been different each time. Can you share some of your process?


Chris: Oh, Ruth -- I'm so glad it's not just me! The process changes each time for me, too. For my biographies, I used to assemble a timeline of the person's life and then use that to identify the beginning and end of that person's story -- my version of it, anyway. Now, though, I'm more likely to let a theme about that person's life emerge from my reading about them, and then start constructing the timeline.


For my fiction, I used to do a lot more freewriting, starting a story without knowing where it would end, or even whether it was an actual story. Now, though, I more often find myself seeing the whole story before I start to write. I don't know whether that's an improvement, but it's definitely different -- and probably not permanent. I expect my process will keep right on changing, and I'm perfectly fine with that. Discovering different approaches is part of the fun of writing. 


Me: What do you wish someone had told you about this author business, before you had to discover it for yourself?


Chris: I wish someone had told me how many distractions there were from the act of actually writing and how one of the most important jobs an author has is vigilantly safeguarding the time needed to produce the words that will be consumed by readers of my books. If I'd had all these distractions -- especially the ones involving publicity and self-promotion and community-nurturing -- when I started, I'd never have written enough or gotten good enough to get published in the first place!

Me, again: Boy, can I relate.


Check out Chris's new book, CAN I SEE YOUR I.D.? at your local independent bookstore. 
Or at our EMLA agency-mate's store, The Flying Pig.
It's also on Amazon.
Here's his Amazon author page.
And here's his website.


Get to know more about Chris and his fabulous new book at his other blog tour stops:
On Jean Reidy's blog 

On Peter Salomon's blog 

On Penny Blubaugh's blog  

And, coming in June 2011, on Jenny Ziegler's blog.

Texas, here I come!

Next week on Sunday I am flying to Texas to visit John Cooper School in The Woodlands, and then I'll travel with the librarian there to San Antonio to sign books at the Texas Library Association conference. I'm so excited about visiting Texas!
I was afraid, nervous, at first. I'm always nervous to go on stage, and always nervous to travel a long distance for a book event.
It's not that I'm worried about my safety; I am a neurotic person, angsty and self-doubty about performance, not about flying. I worry about giving the audience the best possible event. Maybe I figure if I blow it locally, I can always go back and do another presentation later, to mend things. But out-of-state travel is a bit more expensive.
To my credit, I haven't blown an event yet.
They've all gone very well, and there have been hundreds. (wonder when I'll hit the thousand mark? should I pay attention to such things? hmm. I vote no.)
The teacher in charge at my last event called my presentation "Phenomenal." (I should get that in writing; the one thing I neglect to do is get testimonials...)
Phenomenal is a nice word. I'm going to try to hold onto that as I prepare for the Texas presentations. Phenomenal. :)

Ahh, Texas. I've been there twice before. Once as a layover on my trip to Mexico when I was 15, and once with my youngest when she was 9 months old, for Chickapalooza, a trip of moms and babies visiting moms and babies in Austin, Post and Altus, Oklahoma.
Our babies are turning 13 this spring. I should dig up that sketchjournal...

Of course I'll bring a sketchjournal with me on this new trip and draw the whole time.
Here are some sketches from the air from recent trips.
The first is on the way to Boston (maybe I was hungry?).
Second spread is take-off from Lansing heading to Santa Fe.
Third spread is that same trip, heading home again, flying over Colorado.A couple weeks ago while sorting stuff from my mom's attic, I found my wings -- the pin I got when flying for the first time. They were from the Mexico trip, 35 years ago. American Airlines.
Now the airlines give stickers to first-time flyers.
I found all the papers from that trip, all the pre-planning, even my luggage tags.
And a ribbon rose with 16 streamers, from a Tuna -- a traveling band of boy musicians.
Our Spanish teacher told us ahead of time that Tunas travel around Spain (sometimes Mexico) and girls sew ribbon roses for them and pin them, and then the boys pin the roses on girls they meet on their travels.
At our hotel in Acapulco, a Tuna band was playing and we stood above them on a balcony, swooning. They played a lot of songs we knew so we practiced our Spanish (I used to dream in Spanish back then, I was so fluent -- had an excellent teacher) and we sang the songs along with them.
Then we raced down to meet them, and one kissed me (woo!) and pinned his ribbon rose on me. The rose is about 2 1/2 inches wide, with foot-long ribbon streamers sewn to it. It's spectacular, even after all these years. Needs a good cleaning, though.

Who knows what this trip will bring? No ribbon roses, no kisses from Tunas (those are for teens, not married moms turning 51), but definitely a full sketchjournal.

Spring Break-- got your journal ready?

Will you be home during Spring Break?
I'll be at the Ann Arbor Library, Pittsfield branch, on Tuesday, April 6, 2 til 3pm, for a program on journaling, cartooning and whatever else the audience throws at me.
Come join us - we'll make sketchjournals and draw in them together. I promise it'll be great fun!

Planning to go somewhere else?
Bring a journal with you!
I still have my sketchjournal from my high school Spring Break trip to Mexico. I was 15 -- what an amazing trip.
I swore I'd go back every year, but in 35 years I never got a chance to revisit Mexico. Life interfered.
But I still have my sketchbook from that trip, so I can go back in time and feel what my 15-year-old self felt, and it's like being in Mexico all over again.
This is a page out of my sketchjournal from when I was 15. It's one of my favorite parts of Acapulco, the market. I bought one of those white blouses with colorful trim -- mine was white with green embroidery. It's long gone, but the picture of it survives. :)

Ellie McDoodle, Wimpy Girl

My dear friend Ryan Hipp posted here about Ellie: http://www.ryanhipp.com/blogs/diary-wimpy-girl

Ryan's one of those big teddy-bear guys who does both cute and scary with complete finesse. We spent a bit of time together at the Michigan Reading Association conference this past weekend in Detroit.
I encouraged him to get Patricia Polacco's signature in his Author-Illustrator Autograph Book, and he in turn encouraged me to show Patricia the quick sketches I did of her.
This one of Patricia's back is my favorite sketch in the whole sketchjournal:

The whimsy of it inspired me to draw a couple other famous people from the back, too, including Christopher Paul Curtis (who I didn't show a sketch to because I haven't read his books yet. Bought them ages ago but didn't read them yet. I am a slow reader, better suited for picturebooks).

I thought Patricia was very gracious to sign my book and Ryan's. She added this happy note to my second drawing:
Ryan and I are also in a critique group together.
Sometimes this job is solitary and the only friend I have is the character in my head whose adventures are directing my imagination.
Other times this job brings me close to lots of great people who remind me of all that is good in the world.
School visits and teacher/librarian conferences do that -- they're a lot of work to prepare for, but such amazing fun in their process of unfolding, and even more fun as I visit more schools, get to know more teachers and librarians, and then see them again at conferences.
Could this life be any better? I think not. :)